#contemporary style weddings

[womenusingwords]

Posing in Paradise

The details… Title: Posing in Paradise Authors: T.B. Markinson & Miranda MacLeod Publisher: I Heart SapphFic Press Publication date: July 11, 2024 Available formats: ebook, paperback, audiobook Ebook file size:‎ 1901 KB Paperback length: 289 pages Audio length: 8 hours and 51 minutes (narrated by Lori Prince) Genre: contemporary romance Themes: women loving women relationships, family,…

[laciniabridal]

Lily of the Valley Gown

Available S M L - Order gown online now

laciniabridal.com

[fcomindia]

How to Style a Simple Blouse for a Stunning Party Look

Elevate a simple blouse by pairing it with statement sarees, bold accessories, and creative draping styles. Adding trendy bottoms, belts, or striking makeup can complete your stunning party look.

A simple blouse can be transformed into a show-stopping party outfit with the right styling. Whether you're dressing up for a wedding, festive gathering, or casual celebration, here are some creative tips to elevate your simple blouse and turn heads at any event:

1. Pair with a Statement Saree or Skirt

A plain blouse can instantly shine when paired with a heavily embellished saree or a vibrant printed skirt. Choose contrasting colors or bold patterns to create a striking visual balance.

2. Add a Stylish Dupatta

For a chic yet elegant look, drape a sequined, embroidered, or sheer dupatta over your blouse. Experiment with different draping styles to enhance your overall outfit.

3. Layer with Jewelry

Jewelry plays a key role in enhancing a simple blouse. Opt for statement necklaces, chandelier earrings, or bangles to add glamour. For a modern touch, try layered necklaces or oversized earrings for maximum impact.

4. Experiment with Belts

Adding a designer belt over your saree or lehenga can create a contemporary yet sophisticated look. Choose metallic, embroidered, or beaded belts to complement your blouse.

5. Embrace Bold Makeup and Hairstyles

Since your blouse is simple, enhance your appearance with bold makeup — think smokey eyes, winged eyeliner, or a striking lip color. Pair this with sleek buns, voluminous curls, or braided hairstyles for a refined finish.

6. Incorporate Stylish Bottoms

Pair your blouse with high-waisted palazzos, flared skirts, or dhoti pants for a trendy fusion look. Mixing modern and traditional elements can create a fresh and fashionable appearance.

7. Focus on Fabrics and Embellishments

If your blouse is simple, opt for luxurious fabrics like silk, velvet, or satin. Adding sequins, beads, or lace to the sleeves or neckline can subtly elevate your outfit without overwhelming the design.

8. Customized Stitching for a Flawless Fit

To achieve the perfect look, ensure your blouse fits you well. For expert craftsmanship and personalized designs, blouse stitching tailors in Bangalore offer tailored solutions to enhance your party look.

With the right combination of accessories, fabrics, and styling elements, your simple blouse can become the highlight of your party ensemble. Embrace creativity, mix and match trends, and let your confidence shine through!

Author Bio

Poornima Sathyanarayan is the Founder of FCOM India, an online/doorstep tailoring service based in Bangalore. Poornima is an Indian fashion enthusiast and writes about Indo-Western and Indian ethnic wear for both women and men.

[eventhiresydney]

Make Your Event Stand Out with Bar Tables in Sydney

Planning an event in Sydney? Whether it's a casual party, corporate gathering, or wedding, bar table hire Sydney can elevate your event’s style and functionality. Choosing the right bar tables not only enhances the atmosphere but also creates convenient spaces for guests to mingle and relax. Here's a guide to why bar table hire is a must for your next event.

Why Bar Tables Are Essential for Events

Bar tables bring versatility to any setup. These sleek and stylish tables are perfect for standing cocktail events, informal conversations, or simply adding a modern touch to the decor. Bar table hire Sydney offers options that fit all themes, from rustic to contemporary.

Beyond their aesthetic appeal, bar tables are practical. They save space while ensuring your guests have a comfortable spot to place drinks and snacks. Whether you're hosting indoors or outdoors, bar tables are an effortless way to add charm and functionality.

How to Choose the Right Bar Tables

Match the Event Theme: Go for wooden bar tables for a rustic vibe or metal/glass tables for a chic, modern look.

Consider the Guest Count: Ensure enough tables are available to accommodate guests without overcrowding.

Outdoor or Indoor Setting: Select weather-resistant options for outdoor events to avoid last-minute surprises.

With bar table hire Sydney, you’ll find a range of customizable options to suit any occasion.

Add Style and Convenience with Event Hire Sydney

Looking for a trusted provider? Event Hire Sydney has you covered. From elegant bar tables to other essential furniture, they make it easy to create a seamless event setup. Transform your vision into reality by choosing high-quality furniture that enhances the guest experience.

When you select bar tables for your event, you’re investing in comfort, style, and functionality. Make your next party or celebration memorable by choosing the right setup that guests will talk about long after the event.

Bar tables are the perfect addition to any event in Sydney. With their style and versatility, they help create an inviting atmosphere while keeping things practical. Whether you’re organizing a small gathering or a grand celebration, bar table hire Sydney is the key to making your event stand out.

[shilohta]

The curse of knowing art history is the pause every time I want to use the word modern

[sareez12]

https://www.sareez.com/categories/sarees

[samkkshopping]

Unveiling Elegance: Embracing the Surge of Designer Pure Saree Trends for Women

Introduction:

For numerous women, possessing a designer saree signifies the pinnacle of ethnic fashion, offering a distinctive way to stand out. The allure of a designer saree collection lies in its versatility, spanning from intricate traditional pieces to chic, ultra-modern designs. Catering to diverse age groups and fashion tastes, these unique, stylish Sarees are not only cherished by Indian women but also sought after by global clientele. India remains the unrivaled hub for authentic and trendsetting Pure Designer Sarees, captivating the imagination of artists and designers worldwide.

What are we going to learn from this blog?

In Indian culture, adorning oneself in a saree is deeply imbued with reverence for elders and cherished family values. Embracing the saree is embraced as a practice that bestows dignity and poise upon a woman’s demeanor. Furthermore, it symbolizes modesty and femininity, fostering a sense of confidence and empowerment within women.

The signature Indian dress comes in a variety of options in different colors. And patterns and one of the most stunning looking is Latest designer Sarees. These exquisite pieces are crafted by top fashion designers and houses according to the latest trends.

Why does this saree so much popular now a days?

For every Indian woman, owning a designer saree Silk is a cherished dream. The sheer elegance of a Stylish designer saree ensures that one truly shines amidst the crowd. What’s truly remarkable about a designer saree collection is its vast diversity, offering a plethora of options ranging from embellished to sophisticated, traditional to contemporary. Rest assured, there’s a designer saree to match every unique style.

“Indian designers continuously experiment with international designs and tastes, yet India remains at the forefront for authentic and trendy designer Sarees. These iconic garments not only elevate one’s style but also showcase the rich cultural heritage of India.”

“Let’s dive into the diverse range of Designer Sarees available at Samyakk!”

Are you ready to immerse yourself in the world of designer Sarees? At Samyakk.com, we pride ourselves on offering a wide range of exquisite Sarees crafted to perfection. From pure designer embroidery Sarees to organza designer Sarees, tissue organza Sarees, pure Tussar embroidery Sarees, and an array of designer printed Sarees including georgette, crepe, Tussar, silk, Mysore silk, and drape Sarees, we have something to suit every taste and occasion.

Next up, we have the organza designer Sarees. Known for their lightweight and sheer texture, organza sarees are perfect for special occasions. Our range of Pure organza Sarees features exquisite designs and vibrant colors that add a touch of glamour to your ensemble.

If you’re looking for something truly regal, then our tissue organza Sarees are the perfect choice for you. Made from high-quality tissue fabric, these Sarees have a subtle sheen that gives them a luxurious appeal. With delicate embroidery work and intricate detailing, they are sure to make you feel like royalty.

For those who appreciate the beauty of handcrafted Sarees, our pure Tussar embroidery Sarees are a must-have. Made from the finest quality Tussar silk, these Sarees feature intricate embroidery work that reflects the rich heritage of Indian craftsmanship. Each saree is a work of art, meticulously crafted to perfection.

Last but not least, we have our drape Sarees. These Sarees are perfect for those who love the convenience of pre-stitched Sarees. With their effortless drape and flattering silhouette, Designer drape Sarees are a popular choice among modern women. Whether you’re a busy professional or a busy mom, our drape Sarees are sure to make dressing up a breeze.

What to look for while buying Indian Designer Sarees??

When Buying Indian Designer Sarees, several crucial factors demand attention to ensure a satisfying choice. Firstly, scrutinize the fabric meticulously. Fabrics like silk, chiffon, georgette, and organza offer luxurious draping and elegance, each boasting distinct textures and characteristics.

Color, design, and occasion should also heavily influence your decision. Opt for hues and patterns that complement your skin tone, body shape, and personal style. Consider the event at hand, selecting heavy silk Sarees with intricate embellishments for weddings and festive occasions, while reserving lightweight options with minimal detailing or printed designs for casual gatherings.

Lastly, establish a budget and adhere to it, prioritizing quality and craftsmanship over price. Remember, a well-chosen designer saree is an investment in timeless elegance and cultural heritage, capable of enhancing your beauty and confidence for years to come.

Distinguishing Between Fancy Sarees and Pure Sarees

Frequently Asked Questions (FAQs)

What sets designer Sarees apart from regular Sarees? A: Designer Sarees are meticulously crafted by skilled artisans and fashion designers, featuring unique designs, intricate embellishments, and superior quality fabrics. They often incorporate the latest trends and innovative techniques, making them stand out in terms of style and craftsmanship compared to regular Sarees.

How can I ensure the authenticity of a designer saree? A: Authentic designer Sarees usually come with branded tags, labels, or certificates of authenticity. They also feature high-quality materials, impeccable stitching, and finely executed embellishments. Purchasing from reputable stores or directly from designer boutiques can further ensure authenticity.

Are designer Sarees suitable for all body types? A: Yes, designer Sarees are available in various styles and cuts to suit different body types. Whether you’re petite, curvy, or have a straight body shape, there are designer Sarees tailored to enhance your silhouette and accentuate your best features.

What occasions are appropriate for wearing designer Sarees? A: Designer Sarees are versatile and can be worn for a wide range of occasions, including weddings, receptions, parties, festivals, and formal gatherings. The level of embellishment and fabric choice may vary based on the event’s formality and ambiance.

How should I care for and store my designer Sarees to maintain their quality? A: To preserve the beauty and longevity of your designer Sarees, it’s essential to follow proper care instructions. This may include dry cleaning or gentle hand washing, avoiding direct sunlight exposure, and storing the Sarees in a cool, dry place. Additionally, folding them neatly or hanging them on padded hangers can help prevent wrinkles and creases.

Conclusion

The wide variety of designer Sarees available at Samyakk caters to every taste and occasion. Whether you prefer traditional embroidery work or contemporary prints, we have something for everyone. So why wait? Explore our collection today at our website www.samyakk.com and visit are store at Bangalore City. Add a touch of elegance to your wardrobe with our Elegant Sarees.

[iridessence]

Congratulations on your nuptials. You and your husband look so happy and lovely. (If you want to to) it would be great to hear more details about your lovely dress. Congratulations again :-)

Thank you!

It's based off an extant gown from the 1890s, likely 1895-1896.

It's bespoke, vintage silk faille fabric and contemporary silk/rayon duchess satin for the ribbon details and bow tie, and it was patterned, draped, fit and sewn with historic techniques by @lunarrosecostuming on IG (my friend). The boutonnières on either of us are vintage millinery flowers that I picked out. Some of those flowers are also in my hair, styled to look like wax flowers from wedding portraits from the turn of the century, with an updo styled of the period as well.

Beneath, I am wearing a combination chemise, steel boned overbust corset (that deserves a post in its own right) and 3 petticoats! No corset cover though.

[ziseviolet]

Qipao/Cheongsam Taobao Shop Recs

A while ago I received a direct message asking for recs on where to buy qipao/cheongsam, and I figured I’d make a post for others who’d also be interested. 

First of all - I think qipao should be tried on and bought in-person if at all possible, since having the right fit is important - especially if it’s for a formal occasion like a wedding. However, since that’s often not possible, I’ve compiled a list of online shop recs, mainly for more casual occasions.

Since English-language online qipao shops are plentiful and easy to find, I’ll be focusing this list on Taobao shops only. Please note that these are my personal recs, based on my own aesthetic preferences. Thus most of the recs are for shops focused on retro-inspired, minguo-style qipao made using the traditional 平裁/pingcai (flat tailoring) method. Also, I have not actually purchased qipao from any of these shops (all my qipao were bought in person) - this is based mainly on how appealing I find the designs.

1. 嬉姷/Xi You - Elegant qipao modelled closely on historical designs, mainly from the Republican era/minguo. Careful attention paid to historical details. My favorite qipao shop to browse for fun:

2. 海上芳时/Shanghai Fancy - Specializes in chic minguo-style designs of the 1920s-1940s. Recently came out with a neat art deco-inspired collection:

3. 唐之语/Tang Zhi Yu - Retro-style qipao in a variety of bold prints, with a focus on the form-fitting designs of the 1950s-1960s, including those from the film “In the Mood for Love”:

4. 繁莳/Fancy Dream - Dreamy, delicate retro-inspired qipao and modified qipao. Also has a nice selection of winter majia (vests):

5. Top Ulara - A large selection of classic, retro-style qipao with a hint of glamour. Offers lots of long/thick/layered qipao suitable for colder weather:

6. 梦回故里/Menghui Guli - Nostalgic, conservative retro-style qipao for all seasons. Old-fashioned in a good way:

7. 晴山制衣/Qingshan Zhiyi - Retro-style qipao in fresh, vivid colors and an interesting variety of designs and patterns:

8. 限时赏味/Xianshi Shangwei - Streamlined, retro-style qipao in subtle colors and prints that exemplify understated elegance: 

9. 茉茉/Momo - Tons of options for simple, cute, and casual retro-style qipao suitable for daily wear. Designs tend towards monochromes and all-over prints. Another review/rec here:

10. 如及/Yu Gallery - Simple yet elegant retro-style and contemporary qipao. I love the shop’s use of sheer fabrics & layering in its designs:

11. 向南飞FLY - Offers a selection of casually stylish retro-style qipao and modified qipao for daily chic:

12. 川黛/Chuan Dai - Soft, feminine, pastel-infused qipao & modified qipao in retro-inspired and contemporary styles:

13. 四斤自制/Sijin Studio - Creative, avant-garde takes on (modified) qipao & qipao-inspired outfits:

14. 密扇/Mukzin - Colorful, playful, and irreverent modified qipao and qipao-inspired outfits. There’s also an English website here:

If you like the above qipao but still want an English website, there are several Taobao resellers that carry similar designs - for example, Beth and Brian Qipao. The hanfu shop Nuwa Hanfu also offers a carefully curated array of qipao, including plus-size qipao.

Finally, when it comes to in-person shops, I want to highlight Xiangjiang Silk Co., a relatively new boutique in New York City specializing in actual vintage 1950s-1960s qipao. There’s an article here on the boutique and its founder Heather Guo (who was featured in Vogue). Store visits are appointment-only, so you’ll have to reach out to Heather via her social media if you want to drop by.

If anyone has reviews of the above shops and/or more qipao shop recs, please share! ^^

Bonus: I also have online shop recs for hanfu (1, 2), modified hanfu/hanyuansu (1, 2), hanfu accessories, weimao, and hair accessories. 

[laciniabridal]

[dcdreamblog]

A bit of an odd question but who was/is the best dancer in the JSA? The one mystery man who was only killed on the dancefloor?

Now this is a FUN question, though honestly one that would be hard to answer. I'll just keep it to the membership of the core, Golden Age JSA for simplicity's sake.

Let's check things off as we go.

Dr. Fate, Dr. Midnite and The Sandman: Were all noted as being incredibly mousy and introverted.

Charles McNider (Midnite): Was a lifelong bachelor who was always more concerned with his various intellectual pursuits. He didn't drink and his natural position at any function was in the corner, feeding our d'oeuvres to his owl.

Kent Nelson (Fate): Equally so, being a book learned archeologist whose wife was more likely to share a night at the library than the dance floor. At any social function, Kent and Inza Nelson truly only had attention for one another. You'd leave them alone at a candle lit dinner table and come back to find them sharing the light over some dusty scroll.

Wesley Dodds (Sandman): Was noted as being instantly eclipsed in any social or hosting capacity by his companion Dian Belmont. His teammates were often known to comment that the Dodds with and without his mask seemed like two entirely different people. Jay Garrick is once noted as saying that an unmasked Dodds "struck me most as a clerk, juxtaposed against Belmont's gothic elegance."

Starman: Would usually have been noted in a similar category to those above. UNTIL his marriage to Adele Drew. Drew was noted by a contemporary Daily Planet reporter as "Homely in appearance but of excellent humor and infectious energy" making her the perfect fit for the often melancholy intellectual she married. (That is NOT how anyone who knew her would describe her. Hippolyta once said Adele Knight was "Gorgeous of spirit and overflowing with love") While they DID dance, Knight was noted as being VERY unskilled, mostly floating along on his wife's ever present enthusiasm.

Green Lantern: Was an interesting conversationalist, and often popular at social functions, noted as having a voice for speeches. However his heavy build and more serious air kept him from being much of a dancer. (The only evidence I can find of him ever dancing is from memoirs about the reception of his wedding to his second Wife Molly Mayne (AKA Harlequin) which speaks more to the outsized effect she's had on him than anything.)

Wildcat: Any boxing historian can tell you that Ted Grant was not a sportsman known for his footwork. I read one account that described his style as "pouncing on the other guy and giving better than he got". Those more familiar with the sport can comment there. He was however known as a boisterous presence, especially when drinking.

Atom: Al Pratt was a man with a lot of good qualities. He had a lion's heart, he was loyal to a fault and he was tougher than a team of oxen. He was also 5 foot nothing and could be described as having two left feet if you cloned him and taped them together. His wife Mary wasn't known to be much better. Their "dancing" mostly included the two stepping on each other's toes, apologizing at the same time, and giggling about it.

The Spectre: ...let's be serious here.

Hawkman and Hawkgirl: Were just a TAD too self serious to be "cutting a rug" among the styles of the time. They were noted as accomplished classical dancers, the kind of couple that could draw eyes when something fancy was playing. As noted with the Nelsons above, though. It was often said that the two only ever had eyes for one another. It was running joke that the Hawks would always be the last to leave any function because they were slow dancing in each other's eyes 3 hours after the band had gone home.

Wonder Woman: Is a literal Queen. Not exactly the kind to be circling the floor at a cocktail party.

Hourman: For a born scientist, Rex Tyler was also known as particularly energetic especially in the aftermath of a battle. His wife, Wendi, being a stage actress was also trained as a dancer. Due to Rex's general lack of grace and Wendi's spontaneous, laughter prone personality however, their dancing was usually described along the lines of swinging each other around until they fell into a heap. Dr Midnite once said "It was common knowledge that any party where the Tylers only destroyed a single digit number of chairs was a sign of good fortune."

Johnny Thunder: DID dance. That does not, however, mean that he COULD dance. As the youngest and "hippest" of the JSA's number, he was always stumbling his way through the steps of this or that new dance craze that was sweeping the teenage population. He always seemed to be having fun, even if the flying debris of hands and feet made his space on any dance floor a rather wide berth.

Black Canary: I cannot describe to you the amount of a sexpot this woman was for her time. Like. Wavy hair over one eye, netted stocking, slit up both thighs, low cut, smoky eye shadow, wolf whistle, eye popping, hummina hummina AWOOGA sexy. Every single time the original Black Canary walked in the room, every monocle hit the floor and a bunch of upper class ladies discovered what lesbianism felt like. The woman could dance, and she could make the whole room WATCH her dance. But let's be clear in that no one was watching her "dance". You get me?

Mr Terrific: I mean obviously. There was not a single goddamn skill that one could quantify that Terry Sloane did not possess. All the big, fancy dance steps that people take classes for he could do inside, outside and backward inside an afternoon. Among his medals and accolades are evidently national ribbons in Salsa, Waltz AND Flamenco. He's Mr. Terrific. He could dance.

But then there's the actual ANSWER to the question.

The Flash: Jay and Joan Garrick were gaga for each other. Happily, loudly, publically, head over heels in love. The kind of love that starts a clan (which they eventually did, neither here nor there). The JSA is an organization RIFE with all time great love stories. But Jay and Joan Garrick were not a love story, they were the kind of light up the room, keep the conversation going, huddle the whole gang around the fireplace talking about nothing until sun up kind of couple. Socially, the entire JSA revolved around them.

And they danced. Boy did they DANCE. The kind of dancing that only a midwestern couple like that CAN do. The kind that got everybody up on their feet and clapping with the steps. The kind where a sweep of her simple dress somehow made her look like a twin city princess. The kind where a simple flourish and a dip made Jay seem like the most romantic leading man of all time. They danced because their happiness was infectious, and every time they did, a simple benefit party became a barn burner.

(A picture, originally secret. From Jay Garrick's bachelor party. June, 1947. For those of you wondering. That makes this June their 77th)

[cosmicvaca]

As a Kakyoin fan and artist, I'm doing my part in giving him a part 4 design 🫡 (OG ask) Throwing my headcanons at you and hitting you square in the face

Ramble under the cut

Noriaki is a successful gallery artist living with his "roommate" on Florida's Gulf Coast (I think the Tampa Bay area, specifically Bradenton, FL). They have a small bungalow near the water, Perfect for them, their office/studios, Jotaro's fish tanks, and Jolyne when she comes from her mother's during the holidays or for summer break. Jotaro is definitely a boat guy they have theirs parked on the side of the house and take it for a spin over at least once a month (or once a week when Jolyne is with them over the summer)

He still does missions for the SWF with Jotaro, but his day job is his art. He works in an abstract/contemporary style and his pieces are large and textural. Jotaro doesn't really get it but still supports his partner, Jolyne loves them though.

Also, he and Jotaro have matching wedding rings: platinum bands with emerald Inserts.

[pmamtraveller]

THE ARNOLFINI PORTRAIT /1434/ JAN VAN EYCK

Van Eyck uses a unique orthogonal perspective, rich colors, and enlivens the piece with many rich details. Notice the convex mirror painted in the background that reflects the back of the couple, as well as several other people witnessing the wedding. Also, take note of the dog in the foreground, the bed in the rear right, and the chandelier overhead.

This is thought to be a dual portrait of the affluent Italian trader, Giovanni di Nicolao Arnolfini, alongside his spouse. The youthful pair are shown within their residence in Bruges, Belgium, which was part of Flanders at the time. Van Eyck had recently relocated to Bruges in 1429 and would reside and work there for the remainder of his life.

While numerous contemporary observers have suggested that the bride appears to be expectant, scholars have noted that this style of gown was fashionable then, as it symbolized virtue and fertility. The gown, combined with the hand resting on the stomach, might be misleading to those interpreting it through a modern perspective.

Art historians consider this one of the earliest paintings of ordinary people in a domestic setting. Van Eyck inscribed “Johannes de eyck fuit hic 1434 (Jan van Eyck was here. 1434)” above the mirror. This signature, on the back wall, suggests the artwork may document a marriage contract with a witness present. Van Eyck was also among the first to sign his work.

[thugnificent714]

-The Private Apartments of the Imperial Family-

Following the fire of 1837 the Winter Palace was rebuilt under the supervision of architects Vasily Stasov and Alexander Bruillov with Tsar Nicholas I setting the ambitious goal of restoration in 15 months. Stasov oversaw the restoration of the facades and parade halls, aiming to recreate the palace's original appearance. Bruillov was responsible for the interiors, including new designs in more contemporary styles.

We will explore the northwestern most section of the Winter Palace located on the map above. With the exception of room 155, these rooms constituted the suite of rooms given to Empress Alexandra Fyodorovna, wife of Tsar Nicholas I.

Room 155- The Arabian Hall

This room served as the room from which imperial processions through the state rooms began. The double doors were designed to be on a straight axis through the principal state rooms and ultimately the Jordan Staircase, forming an enfilade. Thus, it was here the Romanov family often assembled, in private, before state receptions and occasions.

Room 188- The Pompeian Dining Room

The Small (or Pompeian) Dining Room was created by Alexander Briullov after the 1837 fire reflecting the impressions that the architect took away from a visit to the excavations at Pompeii. The decoration of the walls imitated the frescoes found in the famous Ancient Roman city that perished in the eruption of Mount Vesuvius. Dining chairs of the Greek klismos type were formally ranged around the walls, and dining tables were brought in and removed as needed.

Room 189- The Malachite Room

The Malachite Room served as the state drawing-room of the Empress. The unique malachite decoration of the room and many of its furnishings were made in the "Russian mosaic" technique. The large malachite vase and furniture produced to designs by Auguste Montferrand were among the furnishings of the Jasper Reception Room that perished in the 1837 fire. It was in the Malachite Drawing Room that Romanov brides were traditionally robed before walking in procession through the state rooms to the palace's Grand Church for their weddings.

Room 187- The White Drawing-Room

Part of the suite of rooms reserved for the private use of the Empress. They form an enfilade which culminates in the Malachite Drawing Room, which served as the Empress' State Drawing Room, where she gave audiences and conducted her official business.

Room 186- The Large Drawing-Room

This room was mostly used by the Empress and her ladies-in-waiting. The walls were lined with silk jacquard in a bright crimson colour. The furniture was made of the same fabric with gold fringes lining the bottoms of the seats. Plants and personal items were plenty in this room highlighting the personal nature of this safe space for the Empress.

Room 185- The Empress' Study

This room was also lined with the same crimson silk jacquard from the previous room. being a corner room, it had 4 windows which allowed for much natural light to shine through. A corner of the room featured plants and was sectioned off with a grill that had ivy growing on it.

Room 184- The Empress' Bedroom

Like most monarchs, the Tsar and Tsarina had separate bedrooms. This room was decorated in a dark blue damask with a gold and marble trim. The room was separated by curtains into 2 areas, the bedroom and the living room. A door linked the bedroom to the maid-on-duty's room.

Room 183- The Empress' Dressing Room

The door next to the armoire connected this room to a bathroom that was designed in an Ottoman style.

Room 182- The Empress' Budoir

Room 181- The Empress' Winter Garden

This was a private space adorned with plants, ivy, and neoclassical-style lanterns. The stairs led to a mezzanine area which featured alcoves with sofas and a fountain. To the back of the space was a folly in the shape of a Roman lararium or prayer altar featured in Roman villas.

[gleefullypolin]

Digging into Romancing Mister Bridgerton part 2 - Jealousy

Ok I'm back to talk about jealousy...not Pen being Jealous of Colin with women or Colin Jealous of Pen with suitors. I'm talking Colin and his jealousy of Whistledown.

As we head into Part 2, I believe this will be a theme we see post Colin's finding out about Pen's secret. Because Colin finding out that Pen is Lady Whistledown WILL be a blow to him, Colin will forgive her, because he loves Pen. That's not even in question and not even something I'm discussing today. That's the EASY part.

The difficult part is that Colin has found love, he's found Pen. But Colin and Pen had that lovely discussion in S2 about Pen finding her purpose and now Colin is faced with the fact that Pen found that. Her success as Whistledown is something he has to face. And he still has not found his, just as Pen was starting to show him he may have one with his own writing. So let's dig in to how this played out in Romancing Mister Bridgerton because it was a big theme and I think this is coming to our boy!

In the book, even after the wedding, Colin struggles to deal with the revelation that Pen was Whistledown. Her success somehow tears at him and he is unable to deal with how if affects his own abilities and chances at being a writer himself. In true style, he was unable to communicate this jealousy and Pen mistook this as shame, that Colin was ashamed of her for being Whistledown.

See excerpts from RMB below:

Except, perhaps, for Colin and Penelope, neither of whom were especially comfortable when talk turned to Lady Whistledown.

But Colin was still so upset and angry over her secret life that she’d grown uncomfortable herself. She’d tried to broach the subject with him a few times, but he’d become tight-lipped and told her (in a very un-Colin-like tone) that he didn’t want to talk about it.

She could only deduce that he was ashamed of her. Or if not of her, precisely, then of her work as Lady Whistledown. Which was like a blow to her heart, because her writing was the one segment in her life that she could point to with a great sense of pride and accomplishment. She had done something. She had, even if she could not put her own name on her work, become a wild success. How many of her contemporaries, male or female, could claim the same?

She might be ready to leave Lady Whistledown behind and live her new life as Mrs. Colin Bridgerton, wife and mother, but that in no way meant that she was ashamed of what she had done.

When finally confronted with this, Colin told her he was not ashamed of her, but was unable to tell her he was jealous. he was ashamed of himself for being jealous of her. He struggled with his jealous for a while in the book. For not being able to find his true purpose.

“I’m not ashamed of you,” he said again, mostly because he couldn’t bring himself to tell her the truth—that he was jealous. Jealous of her achievements, jealous of her.

It was such a distasteful feeling, such an unpleasant emotion. It ate at him, creating a vague sense of shame every time someone mentioned Lady Whistledown, which, given the tenor of London’s current gossip, was about ten times each day. And he wasn’t quite certain what to do about it.

He was a man who had always felt supremely comfortable in his own skin. He didn’t know why he was so blessed—perhaps it was good parents, maybe simple luck. But now he felt awkward and uncomfortable and it was spilling into every corner of his life. He snapped at Penelope, he barely spoke at parties.

And it was all due to this detestable jealousy, and its attendant shame.

Or was it?

Would he be jealous of Penelope if he hadn’t already sensed a lack in his own life?

Of course because they still were not communicating, Pen continued to know something was troubling her husband. Colin continued to be protective of her and very loving, but any talk of Whistledown immediately seemed to turn the mood in their home. It began to make her become disappointed in her husband, but not because she was angry at him but because Pen was proud of herself. She was proud of everything she did as Whistledown and she wanted her husband to be proud of her.

He said he wasn’t ashamed of her, and maybe he even thought that was true, but she couldn’t quite bring herself to believe him. She’d seen his face when he swore that all he wanted was to protect her. But protectiveness was a fierce, burning feeling, and when Colin was talking about Lady Whistledown, his eyes were shuttered and flat.

She tried not to feel so disappointed. She tried to tell herself that she had no right to expect Colin to live up to her dreams, that her vision of him had been unfairly idealized, but…

But she still wanted him to be the man she’d dreamed of.

And she felt so guilty for every pang of disappointment. This was Colin! Colin, for heaven’s sake. Colin, who was as close to perfect as any human being could ever hope to be. She had no right to find fault with him, and yet…

And yet she did.

She wanted him to be proud of her. She wanted it more than anything in the world, more even than she’d wanted him all those years when she’d watched him from afar.

This continued until they finally spoke, until Pen finally confronted him with why he was so distant. With the fact that he had read everything she had ever written because it was out there, published for the world to see and his words remained hidden, words on a page that perhaps no one would ever see and even if they did, never want to read. And finally in unburdening to his wife, she reached out to him to help him, to tell him to publish and he allowed her help, and he asked her to edit and together it was the two of them, doing it together.

And the worst part was that he knew she didn’t understand. She thought he was ashamed of her. He’d told her that he wasn’t, but since he’d not been able to bring himself to tell her the truth—that he was jealous—he couldn’t imagine that she’d believed him.

Hell, he wouldn’t have believed him, either. He’d clearly looked like he was lying, because in a way, he was lying. Or at least withholding a truth that made him uncomfortable.

But the minute she’d reminded him that he’d read everything she’d written, something had turned ugly and black inside of him.

He’d read everything she’d written because she’d published everything she’d written. Whereas his scribblings sat dull and lifeless in his journals, tucked away where no one would see them.

Colin wanted, more than anything, to be his own man, to be known for his accomplishments, not for his name or position, or even his smile or charm.

“Why, then,” she asked him, her words slow and carefully measured, “do you grow so distant and cold every time I bring it up?”

When he spoke, his words were close to a mumble. “It’s difficult to explain.”

“I’m a good listener,” she said softly.

His hand, which had been cradling her face so lovingly, dropped to his lap. And he said the one thing she never would have expected.

“I’m jealous.” He shrugged helplessly. “I’m so sorry.”

“—I need something I can point to,” he said, right on top of her soft sentence. “I need a purpose. Anthony has one, and Benedict has one, but I’m at odds and ends.”

But she knew that those weren’t the sorts of milestones he was talking about. She knew what he needed: a purpose, a calling.

Something to show the world that he was more than they thought he was.

“Publish your travel memoirs,” she said.

“I’m not—”

“Publish them,” she said again. “Take a chance and see if you soar.”

His eyes met hers for a moment, then they slid back down to his journal, still clutched in her hands. “They need editing,” he mumbled.

Penelope laughed, because she knew she had won. And he had won, too. He didn’t know it yet, but he had.

But it wasn't until the end, when Colin realized that Pen didn't want him to let the world know about Whistledown because she was willing to let her success, her name go away for the sake of his success with his journals, his dream to survive, that he finally understood his wife. That she was willing to do so much for him. Give up her success for his. And he knew that his purpose WAS her. His dream was possible BECAUSE of Penelope.

“Colin,” she whispered. “If you tell the world I’m Lady Whistledown, and they react the way we think they will, you’ll never see your journals published.”

His heart stood still.

Because that was when he finally understood her.

She had told him before that she loved him, and she had shown her love as well, in all the ways he’d taught her. But never before had it been so clear, so frank, so raw.

All this time she’d been begging him not to make the announcement—it had all been for him.

He swallowed against the lump that was forming in his throat, fought for words, fought even for breath.

She reached out and touched his hand, her eyes pleading, her cheeks still wet with tears. “I could never forgive myself,” she said. “I don’t want to destroy your dreams.”

“They were never my dreams until I met you,” he whispered.

With all the jealousy behind them, their love the most important aspect of their lives, Colin lets her know that he is very proud of his wife. and he let the world know that he was very proud of her as well. I don't think we will get this in the show this season, because I think they will hold on to the secret of Whistledown for a while longer but i just love the end of the book and Colin showing his wife that he was proud of her. Proud of Penelope and Whistledown. Because she is both.

“The truth is,” Colin said, tugging on her hand and pulling her close, “I’m rather proud of you.”

She felt herself smiling, and it was so strange, because just a few moments earlier, she couldn’t imagine ever smiling again.

He leaned down until his nose touched hers. “I want everyone to know how proud I am of you. By the time I’m through, there won’t be a single person in London who doesn’t recognize how clever you are.”

Thanks for coming to my Ted talk. How I think RMB plays heavily into the show and how I see BookColin coming to live in ShowColin for the back half of 7&8.

[pasdetrois]

some nosferatu 2024 thoughts 🖤

this is the first jonathan (well, thomas in this adaptation because stoker estate lawsuit) that i have actually enjoyed watching—which was very much helped by his character not being shunted off to the corner after the castle arc, and by him being played by nicholas hoult instead of harry styles (yes, apparently he may have been the original casting choice. thank goodness for small miracles).

one of the few van helsings i've enjoyed watching as well. dafoe brought a compassionate earnestness to the role, which is an important element for setting him apart from a generic researcher/healer figure that would otherwise fade to the background (as the '79 version did for me, personally)

ellen being the lynchpin of this film from beginning to end—her loneliness, fear, desire, shame, defiance, and strength. (of course it's not ideal to blend mina and lucy into one character, because it does almost imply an interchangeability between them, but i can give some leeway here due to timing constraints.) there's an out of time and place aspect to her (she and others refer to her "fae" ways several times)—which is undeniably in part due to being a woman in a world like this, especially one who has experienced what she has and is offered only shame and silence for it—but also a fundamental Otherness that ends up becoming the salvatory key to a benediction only a few will ever know of... there was something touching about the doctor recognizing her power and how in their time it could offer everyone but her salvation. and while depp may not have quite the haunting presence adjani does, i still enjoyed her performance. the way she spoke of her wedding to death dream, caught between a laugh and a sob was so 🩶

the tragic pas de trois element of the story and the faustianesque covenants ellen and thomas enter into with the count were awful and fascinating and even poignant. this gluttonous, rotting corpse who can not love, but is the only one to hear ellen's pleas, who speaks to her through the conduit of her token of love to thomas, whose castle recognizes thomas and never willingly releases him. and thomas and ellen, standing together in the wreck, no longer talking past each other, for how little it matters now beyond these precious few moments. i'm still thinking about the harrowing scene in the third act where they simultaneously invoke and rebuke his spectre. "show him our love"!!!

beautiful visuals, when i could see them (unfortunately, it did occasionally suffer from the lighting problem that most of its horror contemporaries do, in that i probably resembled the squinting lady in pink trying to decipher what exactly was on the screen at times). the shadow work was sublime though (and i assume inspired by the '22 version). loved the shots where the count's fragmentary silhouette appears in billowing curtains or looms ever closer over thomas and ellen's wide eyed stares. significantly more evocative than the later scenes where we actually saw the count's physical form.

the visceral physicality of it all! lots of blood and sharp, staccato contortions lending a presence and urgency to the scenes.

harding's character didn't really work for me (there was just a bit too much of the cliche, especially with some of the trite landed gentryman dialogue™️), but i can appreciate that he and his family were likely intended to be the Victorian Ideal foil to thomas and ellen, and the cost that ultimately incurred. and to be honest, the coffin scene was still more poignant than the equivalent in fennell's 2023 attempt at gothic horror.

the film mostly follows its predecessors and the novel with regard to the treatment of the villagers. not ideal, to say the least, but from a straight adaptation position, you're in a tricky spot given how much the "fear of the uncivilized, foreign invader" bigotry is baked into the text itself. it likely wasn't egger's priority, given how short this chapter was in the film, but i feel there's more that could have been done here.

lovely string work in the soundtrack, especially the pendulum swing between a sense of poignancy and foreboding. these were a couple of my favorite tracks: